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A Phenomenology of Creative Attention

Merleau-Ponty and Philosophy of Mind

Zurück zum Heft: Phänomenologische Forschungen 2018-2
DOI: https://doi.org/10.28937/1000108204

Inhalt

  • | Kapitel kaufen Titelei1
  • | Kapitel kaufen Inhalt3
  • | Kapitel kaufen Jörn Müller & Michel Summa: Introduction: Modes of Intentionality. Phenomenological and Medieval Perspectives5
  • | Kapitel kaufen Beiträge25
  • | Kapitel kaufen José Filipe Silva: Intentionality in Medieval Augustinianism25
  • | Kapitel kaufen Nicholas A. Oschman: The Constitution of the Intellect and the Farabian Doctrine of First and Second Intention45
  • | Kapitel kaufen Gianfranco Soldati: Appearances and Illusions61
  • | Kapitel kaufen Luca De Giovanni: Husserl on Intentionality and Attention. From the Logical Investigations to Genetic Phenomenology81
  • | Kapitel kaufen Diego D'Angelo: A Phenomenology of Creative Attention. Merleau-Ponty and Philosophy of Mind.99
  • | Kapitel kaufen Antony Fredriksson: The Alien World, Attention and the Habitual117
  • | Kapitel kaufen Roberta De Monticelli: Intentionality, Agency and Personhood. Outline of a Phenomenological Theory of Acts135
  • | Kapitel kaufen Jörn Müller: A Medieval View of Practical Intentionality. Intentio in Aquinas’s Psychology of Action155
  • | Kapitel kaufen Michela Summa & Karl Mertens: On the Role of Attention and Ascription in the Formation of Intentions within Behavior177
  • | Kapitel kaufen Jan Slaby: Affective Arrangements and Disclosive Postures. Towards a Post-Phenomenology of Situated Affectivity197

Beschreibung

This paper develops the concept of ‘creative attention’. Against classical theories that understand attention as a spotlight that brings objects into focus, I will argue that attention is a complex phenomenon structured in different layers. The most basic layer is perceptual, passive and pre-predicative: at this level, attention is creative – and this is the central claim of this paper – because it institutes meanings and rules for our behaviour