Inhalt
- | Kapitel kaufen Cover1
- | Kapitel kaufen Content4
- | Kapitel kaufen Editorial | Lorenz Engell, Bernhard Siegert6
- | Kapitel kaufen ARTICLES14
- | Kapitel kaufen The Technological Fact of Counterfactuals | Jeffrey West Kirkwood14
- | Kapitel kaufen Parallel Editing, Double Time. Mad Men’s Time Machine | Elisabeth Bronfen34
- | Kapitel kaufen DEBATE50
- | Kapitel kaufen Fake News and the Complexity of Things | William E. Connolly50
- | Kapitel kaufen Garden-Variety Formalist | Colin Lang56
- | Kapitel kaufen ARCHIVE62
- | Kapitel kaufen Darwin Among the Machines [To the Editor of the Press, Christchurch, New Zealand, 13 June, 1863.] | Samuel Butler62
- | Kapitel kaufen A Community of Limbs. Samuel Butler’s Co-Evolution of Man, Media, and Culture | Niels Werber66
- | Kapitel kaufen FOCUS74
- | Kapitel kaufen From Anthropocene to Mediocene? On the Use and Abuse of Stratifying the Earth’s Crust by Mapping Time into Space | Georg Toepfer74
- | Kapitel kaufen Materializing the Medium. Staging the Age of Humans in the Exhibition Space | Nina Möllers86
- | Kapitel kaufen Medianatures | Jussi Parikka104
- | Kapitel kaufen Entangled Trees and Arboreal Networks of Sensitive Environments | Birgit Schneider108
- | Kapitel kaufen Abandoned Infrastructures. Technical Networks beyond Nature and Culture | Gabriele Schabacher128
- | Kapitel kaufen Odyssey without Nostos, or, From Globe to Planet | Hans-Christian von Herrmann148
- | Kapitel kaufen Toxic Money. Economic Globalization and its (Edible) Currencies | Karin Harrasser158
- | Kapitel kaufen ABSTRACTS172
- | Kapitel kaufen AUTHORS176
- | Kapitel kaufen Authors’ addresses ZMK 9 | 1 | 2018180
Beschreibung
The article discusses how current mediated conditions change nature perception from a media study perspective. The article is based on different case studies such as the current sensation of atmospheric change through sensible media attached to trees which get published via Twitter, the meteorologist Amazonian Tall Tower Observatory and the use of gutta percha derived from tropical trees for the production of cables in the history of telegraphy. For analysing the examples, the perspective of »media as environments« is flipped to »environments as media«, because this focus doesn’t approach media from a networked and technological perspective primarily but makes productive the elemental character of basic »media« like air, earth and water
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