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Hermeneutik in Bewegung

Meg Stuarts Tanzstück Built to last und das Verstehen der Musik 

Grüny, Christian

Zeitschrift für Ästhetik und Allgemeine Kunstwissenschaft, Bd. 60 (2015), Iss. 2: S. 49–65

1 Citations (CrossRef)

Zusätzliche Informationen

Bibliografische Daten

Grüny, Christian

Cited By

  1. Handbuch Kulturphilosophie

    Einleitung

    Konersmann, Ralf

    2012

    https://doi.org/10.1007/978-3-476-05322-0_1 [Citations: 0]

Abstract

Musical hermeneutics is a controversial issue. Today it is primarily associated with historical research into musical meanings in the context of cultural studies. Besides this, there is an everyday hermeneutics where understanding is inextricably linked to the daily use of music. Meg Stuart’s dance piece Built to last is interpreted as a reflection of this everyday hermeneutics. It applies Stuart’s technique of researching and distorting expressive movement to the movement of and to music, and its decidedly “wrong” way of doing this reveals more about classical music’s presence than a more formal, “right” approach.