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Ich sehe was, was du nicht siehst – Zur Auflösung des Bildes

Siegel, Steffen

Zeitschrift für Ästhetik und Allgemeine Kunstwissenschaft, Bd. 58 (2013), Iss. 2: S. 11–36

1 Citations (CrossRef)

Zusätzliche Informationen

Bibliografische Daten

Siegel, Steffen

Cited By

  1. Handbuch Kulturphilosophie

    Klassische Positionen

    Gilbhard, Thomas

    Thoma, Heinz

    Heinz, Marion

    Maurer, Michael

    Zelle, Carsten

    Jamme, Christoph

    Sommer, Andreas Urs

    Geßner, Willfried

    Hampe, Michael

    Renz, Ursula

    Woldt, Isabella

    Richter, Cornelia

    Heidbrink, Ludger

    Langbehn, Claus

    Bermes, Christian

    Winter, Rainer

    Makropoulos, Michael

    Becker, Ralf

    Schweppenhäuser, Gerhard

    Kämpf, Heike

    Rudolph, Enno

    Schneider, Ulrich Johannes

    Lüscher, Jonas

    2012

    https://doi.org/10.1007/978-3-476-05322-0_3 [Citations: 0]

Abstract

The history of photography is more than just a variety of techniques, materials, motives and styles. We the spectators of photographs, also figure as a crucial part of that history. What can be perceived in a photograph is shaped in a far-reaching manner by our own expectations and assumptions of photography’s capacity to show us something. Thus we continue to make use of techniques of observation that were established in the medium’s formative years. Looking at these pictures can be seen as an operation that deals with a tension between resolution and decomposition. In the end, our interest in the microstructure of photographic imagery produces visual forms without any denotation.