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- Phänomenologische Forschungen 2010
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Grenzenlose Verantwortung
Freiheit und Schuld bei Dostojewski und Sartre
The article examines the relationship between freedom, guilt and responsibility in Dostojewski’s and Sartre’s works. Both attribute a great measure of personal freedom to man. Therefore, they do not tolerate excuses. Whoever is free, carries responsibility and gets caught up in guilt. Dostojewski’s focus is mainly on guilt, Sartre’s is on responsibility. They share the conviction that we can delegate responsibility for our actions or our way of living neither to a whole, of which we are a part, like society (the ,milieu'), nor to a part, for which we are the whole, like the ,brain' or the ,genes'. In that sense, Dostojewski’s and Sartre’s attempts at an ethic of responsibility also offer convincing arguments against determinism. -
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Die Kategorien des Sinnlichen. Zu Husserls Kategorienlehre
It is the aim of the paper to demonstrate the more Aristotelian than Kantian character of Husserl’s theory of categories. In Brentano’s dissertation, the distinction between the domain of ontology and the domain of logic is traced back to the Aristotelian dichotomy between being according to the forms of the categories and being in the sense of the true. This approach is also traceable in the work of Husserl. Husserl distinguishes between material categories sensuously given to the subject, and formal categories engendered by the subject in its activities of thought and judgment. On this basis, he draws a contrast between formal ontology and material ontologies, formal and material a priori, and formal and material forms of unity. Husserl considers pre-given sensuous material the ground for real categories and their differentiation. The sensuous objects have categorial determinations in the Aristotelian sense, i.e. determinations which belong to them as a consequence of their peculiarity, independently from their being-thought by the subject. On the other hand, formal categories are not material structures of the world, and have no ontological range because they represent merely subjective additions. The material viz. sensuous structure is essential to a thing, while the logical viz. judicative structure is extrinsic. The real is the sensuous and the real categories are categories of the sensuous. -
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Bild und Ding
Heideggers Auslegung der Husserlschen Bildlehre
In four of his Marburg lectures, Martin Heidegger refers to Husserl’s interpretation of image consciousness. On first sight, his remarks seem to be nothing more than neutral renderings of Husserl’s statements. However, a more careful look shows that his interpretation differs in several significant points, and that, by focusing on the central difference between Naturding and Umweltding, which Heidegger brings into play, we can even develop a substantial line of criticism against the Husserlian conception. -
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Verteilung der Apriori in der Phänomenologie Husserls
The present contribution presents a series of distributions of the apriori in different phases of Husserl’s phenomenology: eidetic vs. categorial apriori in the Idea of Phaenomenology, formal vs. contingent apriori in the Formal and Transcendental Logic, and the distinction of the universal objective apriori and the universal apriori of the life-world in the Crisis of the European Sciences. The introduction of genetic phenomenology, it is argued, gradually turns the formal apriori’s initially proclaimed independence of the material apriori to its opposite. In the Formal and Transcendental Logic, the foundational role of the contingent-material apriori with regard to the formal apriori is still qualified by the contingence of this material apriori relative to pure subjectivity. The Crisis, finally, unconditionally articulates the universal apriori of the lifeworld as the foundation of the universal objective apriori. -
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Kunst, und doch Methode?
Überlegungen zu Husserl, Heidegger und Gadamer
To honor the 50th anniversary of the publication of Truth and Method, this paper discusses the phenomenological foundations of the hermeneutical claim to an eminent epistemological relevance of art. While Gadamer, following the early Heidegger, tends to conceive such relevance as the contribution of art to historical self-understanding, the attempt is made to integrate art into philosophy through a reeximanation of phenomenological method. An interpretation of the London Lectures not only shows the close resemblance of Husserl’s later account of phenomenological method as ‚the method of zig-zag‘ to Heidegger’s and Gadamer’s accounts of understanding. Furthermore, the idea of method being closely tied to the evident experience of things as ‚exemplary objects‘ used as ‚transcendental guiding threads’ for phenomenology prefigures Heidegger’s account of the truth of artworks in ‘The Origin of the Work of Art’. In conclusion, I argue that the truth of art can be integrated into phenomenological method by conceiving artworks not as transitory sedimentations of self-understanding, but as phenomenological models, which as objects of interpretation allow one to access and explicate the phenomenological givenness of earth and world. -
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Der Begriff ‚Anlage‘ als Bestimmung des Seins bei Martin Heidegger
During the philosophical pathway of Martin Heidegger the 30s of the 20th century are a crucial period in respect of his effort to point out the temporal meaning of the notion of being. After the failure of his project of Being and Time he turned his attention towards pondering upon the (Hi)Story of being (Seinsgeschichte or Geschichte des Seins), leading him to the thought of the oblivion of being as well as of the forsakenness by the being. Within the eschatological perspectives after the end of metaphysics Heidegger arrives at the notion of Anlage, in which he means to articulate the temporal features of being corresponding to the mentioned epochal situation. The notion Anlage sums up the temporal features of setting, perpetuity, and presence, which according to Heidegger are notoriously associated with the notion of being within the metaphysics. Nonetheless, even this conceptual effort acts as a taking- off towards a far more radical phenomenology of world conceived as the fourfold of heaven and earth, the divine and the mortals. -
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Logique transcendantale et philosophie du monde de l’expérience. La critique husserlienne de Rickert en 1927
This article intends to clarify some of the problems raised by the opposition between the husserlian phenomenology and the neo-Kantian philosophy of the Heidelberg school on the basis of Husserl’s 1927 lessons about Nature and Spirit, where an accurate critique of Heinrich Rickert’s epistemology is developped. It is noteworthy that Husserl claims in this context that his phenomenology is more faithful to the Kantian philosophy than Rickert’s philosophy itself. The reconstruction of Husserl’s argumentation shows that the idea of a transcendental deduction of objectivity is the key to understand the disagreement between the two philosophers. It is then possible to suggest that what is at stake in this opposition concerns not only the definition of a transcendental logic, that is the question of the relationship between the being of the world and the knowledge of it, but also the problem of the relationship between rationality and intuition. -
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A Solution to the ‘paradoxical’ Relation between Lifeworld and Science in Husserl
In this paper I deal with the problem of how Husserl can coherently claim that life-world is both (1) the founding presupposition of science and (2) a whole that has science as its part. The approach suggested here is based on Husserl’s ideas regarding multi-layered transcendental intentional constitution of correlative noemata. In our intentional correlations we experience objectities in their appropriate horizons of co-givenness. Both the objectities and their horizons are multi-layered structures containing a core of primordial, perceptual, pre-thematic givenness and a series of historically, thematically, and scientifically established noematic sediments. Nevertheless, we directly experience the at-each-time actual or active constitutive layer. In its constitution, however, the latter comprises also the underlying founding noematic layers that make what is directly given possible. “Life-world”, then, means two things: (a) the totality of the actual and possible horizon- and object-givenness, and (b) the core of it, i.e., the prethematic, simple perceptual, object- and horizon-givenness – with the latter only experienceable via the currently prevalent level of the former. Sense (b) supports Husserl’s claim (1); sense (a) supports his claim (2). -
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Edmund Husserl: Idealisierung und Doxa
As its title indicates, our work deals with two motifs which, in the end, flow together. The first has to do with the confrontation (long a subject of philosophical discussion) between the Lebenswelt and its mathematization at the hands of the sciences. Mathematics, according to Husserl, is a science whose contents – axioms, laws, geometric solids – are ideas. Idealization, as practiced by Husserl, consists in adopting and adapting Kant’s interpretation of ‘the idea’, and in designating both mathematical exactitude and the thing in its totality as ‘ideas in the Kantian sense’. The second motif examines Husserl’s attempt to identify the Lebenswelt with Plato’s ‘mere opinion’ (doxa as opposed to episteme). Husserl mounts a defense of doxa, granting it a value as high as, or even higher than, that of episteme. We want to show what this higher value of doxa consists in. Thus, we enter into the problem of measurement, a phenomenon which, beginning as an estimative, pre-geometrical operation, leads to exactitude. In this context, we propose the following thesis: measurement, thanks to the idealization of ‘the thing’ which makes it possible, is the foundation of mathematical exactitude. However, things themselves are given only in gradations, fragments, sides – in other words, they are given perspectivally. Hence, propositions about them can at first only be subjective, private opinions (in the sense of doxa). -
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Das erzählte Selbst. Ein alternativer Entwurf von Authentizität in Heideggers frühen Freiburger Vorlesungen
This essay discusses Heidegger’s interpretation of autobiographical narration in his lecture on Basic Problems of Phenomenology (WS 1919/20) as an alternative conception of authenticity. A focused comparison between Heidegger’s early understanding of the ‘narrated self’ and the analysis of the call of conscience in Being and Time shows that the most problematic aspects of Heidegger’s later idea of authenticity result from a distinct isolation of the authentic self, which is specific for his conception of authenticity since the mid-twenties. At last, the article intends to demonstrate that Heidegger’s early idea of an original self-understanding is close to current philosophical theories which assume a holistic idea of authenticity and point out a strong relation between authenticity and narrativity. -
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Bericht zur Tagung „Die innere Logik der Kreativität“, Würzburg, 1.-2. Oktober 2010
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Buchbesprechungen
Ernst Cassirer: Ausgewählter wissenschaftlicher Briefwechsel; Martin Heidegger: Seminare (Übungen) 1937/38 und 1941/42; Gottfried Boehm, Horst Bredekamp (Hg.): Ikonologie der
Gegenwart / Antje Kapust, Bernhard Waldenfels (Hg.): Kunst. Bild.
Wahrnehmung. Blick. Merleau-Ponty zum Hundertsten; Joachim Fischer: Philosophische Anthropologie. Eine Denkrichtung des 20. Jahrhunderts; Matthias Schloßberger: Die Erfahrung des Anderen. Gefühle im menschlichen Miteinander; Andrea Sebastiano Staiti: Geistigkeit, Leben und geschichtliche Welt in der Transzendentalphänomenologie Husserls -
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Tagesankündigung
Force of Things, Kraft der Dinge
Beschreibung
Beiträge
Vittorio De Palma
Die Kategorien des Sinnlichen. Zu Husserls Kategorienlehre
Wouter Goris
Verteilungen des Apriori in der Phänomenologie Husserls
Panos Theodorou
A solution to the 'paradoxical' relation between lifeworld and science in Husserl
Antonio Aguirre
Edmund Husserl - Idealisierung und Doxa
Julien Farges
Logique transcendantale et philosophie du monde de l'expérience. La critique husserlienne de Rickert en 1927
Christian Ferencz-Flatz
Bild und Ding. Heideggers Auslegung der Husserlschen Bildlehre
Tobias Keiling
Kunst, und doch Methode? Überlegungen zu Husserl, Heidegger und Gadamer
Aleš Novák
Der Begriff 'Anlage' als Bestimmung des Seins bei Martin Heidegger
Meike Siegfried
Das erzählte Selbst. Ein alternativer Entwurf von Authentizität in Heideggers frühen Freiburger Vorlesungen
Ralf Becker
Grenzenlose Verantwortung. Freiheit und Schuld bei Dostojewski und Sartre
Bericht
"Die innere Logik der Kreativität". Internationales und transdisziplinäres Symposium an der Universität Würzburg. 1.-2. Oktober 2010. (Andreas Rauh)
Buchbesprechungen
Martin Heidegger: Seminare (Übungen) 1937/38 und 1941/42. 1: Die metaphysischen Grundstellungen des abendländischen Denkens. 2: Einübung in das philosophische Denken. Hg. von Alfred Denker, Frankfurt/M.: Klostermann 2008. (GA 88). (Egbert Witte)
Sammelrezension (Annika Hand):
Gottfried Boehm, Horst Bredekamp (Hg.): Ikonologie der Gegenwart. München: Fink 2009.
Antje Kapust, Bernhard Waldenfels (Hg.): Kunst. Bild. Wahrnehmung. Blick. Merleau-Ponty zum Hundertsten. München: Fink 2010.
Joachim Fischer: Philosophische Anthropologie. Eine Denkrichtung des 20. Jahrhunderts. Freiburg/Br.: Alber 2008. (Guido Cusinato)
Matthias Schloßberger: Die Erfahrung des Anderen. Gefühle im menschlichen Miteinander. Berlin: Akademie 2005. (Johannes Balle)
Andrea Sebastiano Staiti: Geistigkeit, Leben und geschichtliche Welt in der Transzendentalphänomenologie Husserls. Würzburg: Ergon 2010. (Tobias Keiling)
Neuere Literatur zur Phänomenologie
Tagungsankündigung
"Kraft der Dinge - Dinge, Gegenstände, Objekte in der Phänomenologie".
Internationale Tagung der Deutschen Gesellschaft für phänomenologische Forschung.
Institut für Kulturwissenschaft an der Humboldt-Universität zu Berlin. 28. September bis 1. Oktober 2011
Vittorio De Palma
Die Kategorien des Sinnlichen. Zu Husserls Kategorienlehre
Wouter Goris
Verteilungen des Apriori in der Phänomenologie Husserls
Panos Theodorou
A solution to the 'paradoxical' relation between lifeworld and science in Husserl
Antonio Aguirre
Edmund Husserl - Idealisierung und Doxa
Julien Farges
Logique transcendantale et philosophie du monde de l'expérience. La critique husserlienne de Rickert en 1927
Christian Ferencz-Flatz
Bild und Ding. Heideggers Auslegung der Husserlschen Bildlehre
Tobias Keiling
Kunst, und doch Methode? Überlegungen zu Husserl, Heidegger und Gadamer
Aleš Novák
Der Begriff 'Anlage' als Bestimmung des Seins bei Martin Heidegger
Meike Siegfried
Das erzählte Selbst. Ein alternativer Entwurf von Authentizität in Heideggers frühen Freiburger Vorlesungen
Ralf Becker
Grenzenlose Verantwortung. Freiheit und Schuld bei Dostojewski und Sartre
Bericht
"Die innere Logik der Kreativität". Internationales und transdisziplinäres Symposium an der Universität Würzburg. 1.-2. Oktober 2010. (Andreas Rauh)
Buchbesprechungen
Martin Heidegger: Seminare (Übungen) 1937/38 und 1941/42. 1: Die metaphysischen Grundstellungen des abendländischen Denkens. 2: Einübung in das philosophische Denken. Hg. von Alfred Denker, Frankfurt/M.: Klostermann 2008. (GA 88). (Egbert Witte)
Sammelrezension (Annika Hand):
Gottfried Boehm, Horst Bredekamp (Hg.): Ikonologie der Gegenwart. München: Fink 2009.
Antje Kapust, Bernhard Waldenfels (Hg.): Kunst. Bild. Wahrnehmung. Blick. Merleau-Ponty zum Hundertsten. München: Fink 2010.
Joachim Fischer: Philosophische Anthropologie. Eine Denkrichtung des 20. Jahrhunderts. Freiburg/Br.: Alber 2008. (Guido Cusinato)
Matthias Schloßberger: Die Erfahrung des Anderen. Gefühle im menschlichen Miteinander. Berlin: Akademie 2005. (Johannes Balle)
Andrea Sebastiano Staiti: Geistigkeit, Leben und geschichtliche Welt in der Transzendentalphänomenologie Husserls. Würzburg: Ergon 2010. (Tobias Keiling)
Neuere Literatur zur Phänomenologie
Tagungsankündigung
"Kraft der Dinge - Dinge, Gegenstände, Objekte in der Phänomenologie".
Internationale Tagung der Deutschen Gesellschaft für phänomenologische Forschung.
Institut für Kulturwissenschaft an der Humboldt-Universität zu Berlin. 28. September bis 1. Oktober 2011