ZEITSCHRIFTENARTIKEL
Radikale Reflexion–Phänomenologie der Kunst bei Merleau-Ponty
Zeitschrift für Ästhetik und Allgemeine Kunstwissenschaft, Bd. 55 (2010), Iss. 2: S. 115–125
1 Citations (CrossRef)
Zusätzliche Informationen
Bibliografische Daten
Ruda, Frank
Cited By
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Kant-Bibliographie 2008
Ruffing, Margit
Kant-Studien, Bd. 101 (2010), Heft 4
https://doi.org/10.1515/kant.2010.031 [Citations: 0]
Abstract
The paper discusses Merleau-Ponty’s Phenomenology of Perception as a phenomenology of art. The prevalence of examples from the arts in his text indicates that works of art possess the very same dynamic of reflexivity that the phenomenological project as a whole seeks to develop. Furthermore, by way of confrontation with works of art, the project is driven to transcend itself – or more precisely: to reflect itself. This »new style« of reflexivity may be discussed as »aesthetic incorporation.«
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