Abstract

Maine de Biran (1766-1824) has rarely been thought of as a forerunner of phenomenology in German speaking countries, although mere self-apperception, which follows the primacy of practical transcendentality, surfaces in his analysis. Examining the differential lecture of the sense of touch, as well as the ‚Metaphysics of the Hand‘ by J. Derrida, the author questions his monistic premises to perceive the immediacy of any initial endeavour as a motion, which originates in the possibility of life itself. This result in combination with the sensitivity of the skin leads to a radical phenomenological description of immanent self-manifestation in the flesh, bodily subjectivity and the visibility of flesh as body.