Abstract

This paper discusses the performativity of Heidegger’s language. It tries to ascertain how Heidegger attains the appearance of phenomena by writing about them. This paper focuses accordingly on two questions: First, how is it possible to break out of language by means of words in order to make way for the unutterable, and second, how can what appears also disappear at the same time. The essay”The Origin of the Work of Art” (”DerUrsprung des Kunstwerkes”) is rife with examples inwhich Heidegger describes a phenomenon and analyses it as a possibility of making the experience of its particular”way of being” (“Seinsweise”). This paper examines in detail Heidegger’s attempt to provide a setting in which phenomena can appear in such a way that the assertion can be made that they show themselves”by themselves”.