Abstract

This paper tries to elucidate phenomena relied to experiences actually made in Japanese gardens. By means of phenomenological description and analysis, it aims at clarifying, from the stance of aesthetics and philosophy, how those specific experiences should be understood, how exactly intuition and experience constitute themselves hereby. Besides discussing questions concerning the naturalness and strangeness of reality, this article mainly deals with basic ideas of phenomenology, such as horizon, affection, tonality, responsivity, genesis of phenomena, as well as temporality. This endeavour narrowly intertwines concrete analysis of phenomena with critical reflection on how to do phenomenology, the author being convinced that thinking on conditions of phenomenality may become meaningful only when staying in close touch with the concrete experiencing of phenomena themselves. Thus, this paper aims at contributing to a phenomenological thinking rooted in aesthetic experience and the body