ZEITSCHRIFTENARTIKEL
Welt und Erscheinen bei Jan Patočka
Nähe und Distanz zu Edmund Husserl und Eugen Fink
Phänomenologische Forschungen, Bd. 2020 (2020), Iss. 2: S. 50–64
1 Citations (CrossRef)
Zusätzliche Informationen
Bibliografische Daten
Novotný, Karel
Cited By
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The Oxford Handbook of Western Music and Philosophy
Opera
Fend, Michael
2020
https://doi.org/10.1093/oxfordhb/9780199367313.013.29 [Citations: 0]
Abstract
The influence of Eugen Fink on Jan Patocˇka is undeniable. Fink was his first advisor in questions concerning the phenomenology of the late Husserl in the mid-1930s. But as one can see in the correspondence between Patocˇka and Fink, there are also some hints to divergences, which this paper tries to make explicit, mainly on the basis of some later works and manuscripts by Patocˇka. They concern the status of the whole of the world (Weltganzes) as being different from the human lifeworld (Menschenwelt) and the double concept of appearing in the cosmology of Fink, which Patocˇka – in the early 1970s – confronts with a project of an “asubjective” phenomenology. This project, introduced by an unambiguous criticism of the Cartesianism in Husserl, still maintains a certain proximity to Husserl, defining itself as a formal transcendentalism of appearing as such that is not divided into two modes of appearing as in Fink. It can be read as Patocˇka’s radicalization of the originary Husserlian project of phenomenology, rather than as its cosmological abandonment in an accordance with Fink.