ZEITSCHRIFTENARTIKEL
Faszination und Schrecken
Wahrnehmungsvorgang und Entscheidungsprozeß im Werk Anselm Kiefers
Zeitschrift für Ästhetik und Allgemeine Kunstwissenschaft, Bd. 51 (2006), Iss. 2: S. 24–51
1 Citations (CrossRef)
Zusätzliche Informationen
Bibliografische Daten
Sauer, Martina
Cited By
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Mediality, Materiality, and Multimodality in Erasure Poetry: The Example of Hawkey & Wolf
Müller, Ralph
Sabban, Adela Sophia
(2022) S.55
https://doi.org/10.4000/edl.4000 [Citations: 0]
Abstract
Fascination and horror are two key experiences that are present particularly in the early work of Anselm Kiefer. Particularly in Germany these have prompted surprisingly strong reactions. Why is it, that his work dealing with the National Socialism has been received so ambivalently? The answer to this question, the text attempts, is based on the analysis of the pictures’ conditions of impact, their „Wirkkraft“. It can be shown that the process of perception can be understood as forming the basis of a decision. This becomes apparent in the picture’s effects and people’s varying reactions to them, depending on their cultural background. Disclosing this connection makes recognizable the force of the pictures, thus opening a path to questioning it. Moreover, this disclosure leads to a description of the phenomenon as a specifically post-modern.
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