Menu Expand

Subversion des Bildes

Zu den Spuren der surrealistischen Bildauffassung in der französischen Gegenwartsphilosophie

Busch, Kathrin

Zeitschrift für Ästhetik und Allgemeine Kunstwissenschaft, Bd. 54 (2009), Iss. 1: S. 13–29

2 Citations (CrossRef)

Zusätzliche Informationen

Bibliografische Daten

Busch, Kathrin

Cited By

  1. Plurale Verschränkungen – Zur Entdifferenzierung von Kunst, Politik, Wissenschaft und Wirtschaft

    Kunst oder Aktivismus? Eine explorative Studie zur Anerkennung künstlerischer Protestaktionen als Kunst durch das Publikum

    Barkela, Berend | Schäfer, Christina

    2025

    https://doi.org/10.1007/978-3-658-45684-9_5 [Citations: 0]
  2. Plurale Verschränkungen – Zur Entdifferenzierung von Kunst, Politik, Wissenschaft und Wirtschaft

    Einleitung: Plurale Verschränkungen. Zur Entdifferenzierung von Kunst, Politik, Wirtschaft und Wissenschaft

    Rosenkranz, Marie | Zahner, Nina Tessa

    2025

    https://doi.org/10.1007/978-3-658-45684-9_1 [Citations: 0]

Abstract

It is widely acknowledged that surrealism has had a profound impact on postmodern philosophy. The skepticism that surrealism brought to bear on rationality and its revisionist influence on theories of the subject have been received in philosophical literature through writings such as those of Bataille or Artaud. However, current discourse has largely failed to recognize the wider influence surrealism has exerted on the theoretical study of the image. This essay aims to show the relevance of a surrealistic understanding of the image for contemporary French philosophy, and to argue that it is most of all the substantial contribution surrealist painting has made in pointing up the obsessive character of the image that is in fact a major influence on the debate concerning the crisis of and in pictorial representation.