ZEITSCHRIFTENARTIKEL
Der fliegende Pfeil
Paradigmen zu einer Poetik der Bewegung in der französischen Moderne
Zeitschrift für Ästhetik und Allgemeine Kunstwissenschaft, Bd. 55 (2010), Iss. 1: S. 69–89
Zusätzliche Informationen
Bibliografische Daten
Münchberg, Katharina
Abstract
The art of the modern age, particularly the lyric poetry, develops an own aesthetic conception of the movement which breaks with the classic idea of the movement as a spatial change of a body in time. Baudelaires À une Passante, Rimbauds Bateau ivre and Paul Valérys Le Cimetière Marin are three paradigmatic texts of the French modern age, in which movement is reflected as a time-space-continuum and materialized in the dynamic of language. Modern art is itself movement and causes movement. It becomes an art of the development, not sub- stance, an art of pure sensory perception, not concept, an art of discontinuous adventures, not experience.
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