ZEITSCHRIFTENARTIKEL
Wie sehen?
Zeitschrift für Ästhetik und Allgemeine Kunstwissenschaft, Bd. 55 (2010), Iss. 1: S. 129–143
Zusätzliche Informationen
Bibliografische Daten
Bellour, Raymond
Abstract
It is the outstanding characteristic of the works of David Claerbout to be situated in an essentially ambivalent place between cinema and photography. Both practices are used – either individually or in combination – in a very individual way. The series of projections of installations, which is mapped out from Sections of a Happy Moment onwards (followed by Arena and The Algiers’ Sections of a Happy Moment), drives the confusion of motion and rest to the extreme of an undecidability, which is the result of the new imaging techniques that Claerbout uses.
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