ZEITSCHRIFTENARTIKEL
Graffiti als Version und Subversion–Praxen kultureller Re-Regulierung und die Möglichkeit von Gratiforschung
Dollinger, Bernd | Hünersdorf, Bettina
Zeitschrift für Ästhetik und Allgemeine Kunstwissenschaft, Bd. 55 (2010), Iss. 2: S. 11–25
Zusätzliche Informationen
Bibliografische Daten
Dollinger, Bernd
Hünersdorf, Bettina
Abstract
The contribution attempts to integrate multiple perspectives of current largely heterogeneous graffiti scholarship. Referring to Bruno Latour’s concept »iconoclash«, we discuss graffiti from a cultural-theoretical point of view as a »version«. It appears as a semiotically oriented modification of spatially situated practices that regulate social life. Often, but not necessarily, these practices involve subversive qualities. The concept of »version« facilitates a non-normative and non-essentialist strategy of research. This enables an explorative research practice in which the complex matters of identity and space politics that are associated with graffiti can be addressed.
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