ZEITSCHRIFTENARTIKEL
SOMA & Dark Matter
Künstlerische Experimente als Spiel- und Sehanleitung
Zeitschrift für Ästhetik und Allgemeine Kunstwissenschaft, Bd. 57 (2012), Iss. 2: S. 44–55
2 Citations (CrossRef)
Zusätzliche Informationen
Bibliografische Daten
Adamowsky, Natascha
Cited By
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Lazarus, Latenz und die ›Larve der Erinnerung‹
2024
https://doi.org/10.14361/9783839468098 [Citations: 0] -
Inneres Erleben erzählen
2023
https://doi.org/10.14361/9783839469859 [Citations: 0]
Abstract
The paper discusses the relation of experiment and aesthetics starting from two recent artistic experiences: the exhibition SOMA by Carsten Höller, shown at Hamburger Bahnhof in Berlin in winter 2010/11, and an extracted clip of the performance Dark Matter by Kate McIntosh. Both works put up for discussion the experiment in the context of the arts and at the same time, lead to the multiplication of its meaning. SOMA provides ›games of seeing‹ testing the aesthetic character of an experiment’s architecture and the ›mise-en-scène‹ of different situations of observation. Dark Matter plays upon scientific orders of presentation dragging the spectator’s attention to the dramaturgy of the experiment, which makes space for a new methods of mobilization or correlation.
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