ZEITSCHRIFTENARTIKEL
Ich sehe was, was du nicht siehst – Zur Auflösung des Bildes
Zeitschrift für Ästhetik und Allgemeine Kunstwissenschaft, Bd. 58 (2013), Iss. 2: S. 11–36
1 Citations (CrossRef)
Zusätzliche Informationen
Bibliografische Daten
Siegel, Steffen
Cited By
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Handbuch Kulturphilosophie
Klassische Positionen
Gilbhard, Thomas
Thoma, Heinz
Heinz, Marion
Maurer, Michael
Zelle, Carsten
Jamme, Christoph
Sommer, Andreas Urs
Geßner, Willfried
Hampe, Michael
Renz, Ursula
Woldt, Isabella
Richter, Cornelia
Heidbrink, Ludger
Langbehn, Claus
Bermes, Christian
Winter, Rainer
Makropoulos, Michael
Becker, Ralf
Schweppenhäuser, Gerhard
Kämpf, Heike
Rudolph, Enno
Schneider, Ulrich Johannes
Lüscher, Jonas
2012
https://doi.org/10.1007/978-3-476-05322-0_3 [Citations: 0]
Abstract
The history of photography is more than just a variety of techniques, materials, motives and styles. We the spectators of photographs, also figure as a crucial part of that history. What can be perceived in a photograph is shaped in a far-reaching manner by our own expectations and assumptions of photography’s capacity to show us something. Thus we continue to make use of techniques of observation that were established in the medium’s formative years. Looking at these pictures can be seen as an operation that deals with a tension between resolution and decomposition. In the end, our interest in the microstructure of photographic imagery produces visual forms without any denotation.
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