Abstract

We are used to describe instrumental music in semantic terms. Many of our judgements about music – at least if taken literally – seem to implicate that music is capable of expressing thoughts and emotions, for example. Moreover, in the course of listening to music, we actually seem to hear that music has such (and similar) contents. The main aim of the paper consists in presenting reasons for being skeptical towards such claims. Not only are these claims less plausible than one might think at first glance. What is more, at least some of these ways of talking about music are dispensable: we can give them up without any actual loss. The paper is not solely critical, though. It introduces two ideas aiming to show that some claims which are deeply anchored in our practice of articulating musical experiences can be understood without presupposing that the perceived music has some kind of content.