ZEITSCHRIFTENARTIKEL
Produktiver Schein
Phänomenotechnik zwischen Ästhetik und Wissenschaft
Zeitschrift für Ästhetik und Allgemeine Kunstwissenschaft, Bd. 60 (2015), Iss. 2: S. 11–24
9 Citations (CrossRef)
Zusätzliche Informationen
Bibliografische Daten
Alloa, Emmanuel
Cited By
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Liberty and Landscape
Of Differentiations and Contextualizations: Liberal World Views in the Current Mainstream of Spatial Science and in Political-Philosophical Comparison
Kühne, Olaf | Berr, Karsten | Jenal, Corinna | Schuster, Kai2021
https://doi.org/10.1007/978-3-030-84326-7_3 [Citations: 0] -
Handbuch Landschaft
Politische Weltanschauungen und Landschaft
Kirchhoff, Thomas
2019
https://doi.org/10.1007/978-3-658-25746-0_29 [Citations: 13] -
Resilience and the Cultural Landscape
From cultural landscapes to resilient social–ecological systems: transformation of a classical paradigm or a novel approach?
Kirchhoff, Thomas | Brand, Fridolin S. | Hoheisel, Deborah2012
https://doi.org/10.1017/CBO9781139107778.005 [Citations: 10] -
Multisensory Landscapes
From Multisensory to Ex-Sensory—From Landscapes of Displeasure to Landscapes of Fear
Kühne, Olaf | Berr, Karsten | Weber, Florian | Dittel, Julia2023
https://doi.org/10.1007/978-3-658-40414-7_8 [Citations: 7] -
Wald in der Vielfalt möglicher Perspektiven
Wald-Ästhetiken. Empirische Ergebnisse im Licht theoretischer Reflexionen über Natur und Landschaft
Berr, Karsten | Jenal, Corinna2022
https://doi.org/10.1007/978-3-658-33705-6_4 [Citations: 10] -
Interdisziplinäre Anthropologie
Eigenes und Fremdes
Kirchhoff, Thomas
2019
https://doi.org/10.1007/978-3-658-24869-7_4 [Citations: 0] -
Handbuch Kulturphilosophie
Einleitung
Konersmann, Ralf
2012
https://doi.org/10.1007/978-3-476-05322-0_1 [Citations: 0] -
Multisensory Landscapes
Multisensuality Versus Visual Primacy of Landscape Perception
Berr, Karsten
2023
https://doi.org/10.1007/978-3-658-40414-7_4 [Citations: 8] -
Mensch und Zeit
Die Zeitform der Entwicklung von Ökosystemen und ökologischen Gesellschaften
Kirchhoff, Thomas
2015
https://doi.org/10.1007/978-3-658-05380-2_12 [Citations: 1]
Abstract
The notion of ‘phenomenotechnique’ which Gaston Bachelard introduced in the 1930’s has enjoyed popularity among historians of science who used it in order to insist upon the technical and social mediateness of scientific facts. In the wake of the current triumphal return to epistemological ‘realism,’ the idea of phenomenotechnique has been dismissed as an alleged relic of ‘constructivism.’ The article advocates for a different reading of ‘phenomenotechnique,’ which, rather than insisting on the fabrication of the scientific fact, highlights the intrinsic connection of phenomenality and technicality. Phenomena are not simply given, they must be brought to visibility. While philosophies of technique have mostly stressed that technicity consists in overlooking the process (the ‘anesthesia’ of the medium), the paper argues for a conception of technicity that makes space for its productive, aestheticizing capacity. Finally, the article gestures towards parameters of what a ‘techno-aesthetics’ could look like.
Inhaltsverzeichnis
| Section Title | Page | Action | Price |
|---|---|---|---|
| Abhandlungen | 1 | ||
| Emmanuel Alloa: Produktiver Schein - Phänomenotechnik zwischen Ästhetik und Wissenschaft | 1 |
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