Abstract

The article poses the question to what extend Josef Koenig’s aesthetic approach represents a continuation of the Kantian approach by means of philosophy of language. Its starting point is Kant’s notion of aesthetic ideas for which concepts – in their metaphorical use – are an indespensable condition. Both authors presuppose the free play of cognitive faculties as a foundational principle of aesthetic experience. While for Kant beauty immediately results from pleasure concerning a perception, for Koenig this pleasure is mediated by the purposiveness of a description of an aesthetic impression. A description is purposeful if it is expressed by an appropriate metaphor. Hence its interpersonal validity is only verifiable by resonance.