Abstract

The Internationale Zeitschrift für Kulturphilosophie was quite a different journal be- fore 1933 than after. The Germanized version of the new title demonstrated this change offensively and shamelessly. A detailed analysis of some selected essays written by a representative group of authors who published in the journal in both periods – partly already from the very beginning, such as Heinrich Rickert, partly later on, such as Ernst Forsthoff – might continue to scandalize today’s reader: Af- ter 1933 these authors lost all their inhibitions like former partisans who now could reveal their very identity. They prepared the journal for the political break by cre- ating a fatal continuity.