Abstract

This article focusses on the function of poetry in Logos. Four positions can be ob- served: 1) a rationalistic integration of poetry in the realm of culture, as Cassirer shows it in the case of Hölderlin, which is connected to his intellectual and philosophical environment; 2) an esthetician view of poetry as an absolute world per se, in the continuation of the ideas of the George’s circle, a position that cannot avoid an ambiguous politization; 3) an attempt to read poetry as a way of »seeing the world« (Weltanschauung) in the tradition of Dilthey, integrating it into a complex ideal of culture, as Anna Tumarkin did in a most interesting way, who was one of the first women to become a professor of philosophy (in Bern); 4) the time-condi- tioned attempt to link poetry and mysticism in order to challenge a rationalistic view of culture, reading for instance Rilke as a »Mystiker« like August Faust did, searching a solution to the crisis of civilization beyond the realm of reason. In all these features, it appears that poetry—though not a central topic of the journal Logos—built a very controversial place, a modern »Kampfplatz« where central phil- osophical—and political!—questions were at stake. Therefore, it reveals the inner tensions of the Logos.