Action: Phenomenology of Wishing and Willing in Husserl and Heidegger
Husserl Studies, Bd. 22 (2006), Heft 2 S.121https://doi.org/10.1007/s10743-006-9006-7 [Citations: 4]
In the history of artistic, technical and architectonical design, drawing has largely been identified with certain techniques of projection. However, the actual productive potency of drawing can hardly be reduced to an act of stabilization and transferal. Drawing also means to draw over, to cross out, to start anew, and therefore: to keep drawing. What is, then, the benefit of drawing as a tool for designing?
|Papierprojekte | Die Zeichnung als Instrument des Entwurfs | Barbara Wittmann||1|