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Hennig, Anke

Zeitschrift für Medien- und Kulturforschung, Bd. 3 (2012), Iss. 1: S. 181–198

1 Citations (CrossRef)

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Hennig, Anke

Cited By

  1. Numerical Study on the Hydrodynamic Performance of Antifouling Paints

    Karabulut, Utku Cem

    Özdemir, Yavuz Hakan

    Barlas, Barış

    Journal of Marine Science and Application, Bd. 19 (2020), Heft 1 S.41

    https://doi.org/10.1007/s11804-020-00130-w [Citations: 2]

Abstract

Russian constructivism's motif of an »insurgence of things« leads to the imperative of a liberation of things, which turns away from their representation and declares a Bilderverbot (prohibition of representation) in order to create new things for »new men.« These things – for example, clothing and articles of daily use – overleap the opposition between object and thingness. Their essence, as contemporary Russian phenomenology (Gustav Špet, Nikolaj Žinkin) affirms, is not constituted by any »ideal object«, but by social usage, which involves it in an interminable metamorphosis.

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Dinge teilen | Anke Hennig 1