ZEITSCHRIFTENARTIKEL
"Denn da ist keine Stelle, die dich nicht sieht."
Minority Reportund die Kunst als De/Legitimation
Zeitschrift für Medien- und Kulturforschung, Bd. 4 (2013), Iss. 1: S. 29–42
5 Citations (CrossRef)
Zusätzliche Informationen
Bibliografische Daten
Früchtl, Josef
Cited By
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Intangible Heritage and Its Associative Objects as Exemplified by the Materiality of the Portable Material Culture of German Christmas Markets
Spennemann, Dirk H. R.
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Phänomenologie der Zeit und der Zeitlichkeit bei Husserl und Heidegger
Neumann, Günther
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Stille Nacht: COVID and the Ghost of Christmas 2020
Parker, Murray | Spennemann, Dirk H. R.Heritage, Bd. 4 (2021), Heft 4 S.3081
https://doi.org/10.3390/heritage4040172 [Citations: 19] -
Using destination reviews to explore tourists’ sensory experiences at Christmas markets in Germany and Austria
Parker, Murray | Spennemann, Dirk H. R. | Bond, JenniferJournal of Heritage Tourism, Bd. 19 (2024), Heft 2 S.172
https://doi.org/10.1080/1743873X.2023.2284332 [Citations: 3]
Abstract
Following Hegel's remark that art is a “thousand-eyed Argos,” one can formulate the assumption that under contemporary conditions art and surveillance state do not necessarily exclude, but reflect each other. The film minority report as popular art offers a visual self-reflection on this proposition. The central question is whether and to what extend this film performs a legitimization or delegitimization of the normative order.
Inhaltsverzeichnis
| Section Title | Page | Action | Price |
|---|---|---|---|
| ›Denn da ist keine Stelle, die dich nicht sieht.‹ MINORITY REPORT und die Kunst als De/Legitimation | Josef Früchtl | 1 |
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