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"Denn da ist keine Stelle, die dich nicht sieht."

Minority Reportund die Kunst als De/Legitimation 

Früchtl, Josef

Zeitschrift für Medien- und Kulturforschung, Bd. 4 (2013), Iss. 1: S. 29–42

5 Citations (CrossRef)

Zusätzliche Informationen

Bibliografische Daten

Früchtl, Josef

Cited By

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    Neumann, Günther

    Heidegger Studies / Heidegger Studien / Etudes Heideggeriennes / Studi Heideggeriani, Bd. 39 (2023), Heft 1 S.149

    https://doi.org/10.3790/heist.39.1.149 [Citations: 0]
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    Parker, Murray | Spennemann, Dirk H. R.

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    https://doi.org/10.3390/heritage4040172 [Citations: 18]
  5. Using destination reviews to explore tourists’ sensory experiences at Christmas markets in Germany and Austria

    Parker, Murray | Spennemann, Dirk H. R. | Bond, Jennifer

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Abstract

Following Hegel's remark that art is a “thousand-eyed Argos,” one can formulate the assumption that under contemporary conditions art and surveillance state do not necessarily exclude, but reflect each other. The film minority report as popular art offers a visual self-reflection on this proposition. The central question is whether and to what extend this film performs a legitimization or delegitimization of the normative order.