ZEITSCHRIFTENARTIKEL
Klangteppiche. Transmediale Verhältnisse zwischen Weberei und Musik
Zeitschrift für Medien- und Kulturforschung, Bd. 6 (2015), Iss. 1: S. 133–157
4 Citations (CrossRef)
Zusätzliche Informationen
Bibliografische Daten
Schneider, Birgit
Cited By
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LA LIMITE SANS LIMITES QUELQUES RREMARQUES SUE LE PRINCIPE PHENOMENOLOGIQUE DE LA GEGEBENHEIT A L’EPREUVE DU NEOKANTISME
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Vom Gemeingeist zum Habitus: Husserls Ideen II
Gemeingeist: die verkannte Leitidee der phänomenologischen Philosophie
Caminada, Emanuele
2019
https://doi.org/10.1007/978-3-319-97985-4_7 [Citations: 0] -
The issue of the ego in Husserl's Logical Investigations and Ideas Pertaining to a Pure Phenomenology and to a Phenomenological Philosophy.
Rybák, David
E-LOGOS, Bd. 27 (2020), Heft 1 S.38
https://doi.org/10.18267/j.e-logos.473 [Citations: 0] -
Spatio-temporal Intertwining
The Transcendental Aesthetic: Husserl and Kant
Summa, Michela
2014
https://doi.org/10.1007/978-3-319-06236-5_3 [Citations: 0]
Abstract
Based on Greek mythology, the multiple relationships between singing and weaving, »Flechttanz« (»weaving dance«) and the structural similarities of forms of notation and principles of control in music and weaving are explored. It is found that the relationship between music (as a temporal art) and weaving (as a spatial art) goes far beyond that which the metaphor of »sound tissues« points at. Rather, the relationship between art forms and media expresses mythical and spiritual levels. The transformation of tissues in music or, respectively, music in tissues, makes the creative potential of transposition productive.
Inhaltsverzeichnis
| Section Title | Page | Action | Price |
|---|---|---|---|
| Klangteppiche Transmediale Verhältnisse zwischen Weberei und Musik | Birgit Schneider | 1 |
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