ZEITSCHRIFTENARTIKEL
Méliès und die Materialität moderner Magie
Zeitschrift für Medien- und Kulturforschung, Bd. 7 (2016), Iss. 1: S. 169–184
2 Citations (CrossRef)
Zusätzliche Informationen
Bibliografische Daten
Solomon, Matthew
Cited By
-
Essays on Husserl's Logic and Philosophy of Mathematics
Husserl and Carnap on Regions and Formal Categories
Klev, Ansten
2017
https://doi.org/10.1007/978-94-024-1132-4_15 [Citations: 2] -
Die Fakta leiten alle Eidetik. Zu Husserls Begriff des materialen Apriori
De Palma, Vittorio
Husserl Studies, Bd. 30 (2014), Heft 3 S.195
https://doi.org/10.1007/s10743-014-9149-x [Citations: 3]
Abstract
The article deals with the specific materials that enabled the Magician and cinema pioneer Georges Méliès to produce his illusions. The materiality that accomplished the illusions created by him on stage and screen consists equally of the use of electricity, mechanics, pneumatics, optics, acoustics and chemistry. The use of these resources can not be divided into theater illusions and screen illusions; on the contrary, any reflection on Méliès’ effects of disappearance has to consider the co-presence of theatrical and cinematic techniques.
Inhaltsverzeichnis
| Section Title | Page | Action | Price |
|---|---|---|---|
| Méliès und die Materialität moderner Magie | Matthew Solomon | 1 |
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