ZEITSCHRIFTENARTIKEL
The Ontology of Media Operations, or, Where is the Technics in Cultural Techniques?
Zeitschrift für Medien- und Kulturforschung, Bd. 8 (2017), Iss. 2: S. 169–185
6 Citations (CrossRef)
Zusätzliche Informationen
Bibliografische Daten
Hansen, Mark B.N.
Cited By
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2019
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Becoming a person in the life-world
Brudzinska, Jagna
PARADIGMI, Bd. (2015), Heft 3 S.91
https://doi.org/10.3280/PARA2014-003007 [Citations: 3] -
Receptivity is not passivity: A comparison between psychoanalysis and phenomenology concerning experience, judgement and the analytic attitude
Weiss, Heinz
The International Journal of Psychoanalysis, Bd. 104 (2023), Heft 5 S.886
https://doi.org/10.1080/00207578.2023.2255468 [Citations: 0] -
The Existential Husserl
Transcendental Anthropology and Existential Phenomenology of Happiness
Brudzińska, Jagna
2022
https://doi.org/10.1007/978-3-031-05095-4_2 [Citations: 1] -
In Sachen Glück. Ein genetisch-phänomenologischer Ansatz / Concerning Happiness. Reflexions from the Genetic Phenomenological Point of View
Brudzińska, Jagna
Gestalt Theory, Bd. 39 (2017), Heft 2-3 S.281
https://doi.org/10.1515/gth-2017-0020 [Citations: 2]
Abstract
My aim in this paper is to develop an ontology of media operations that is rooted in Gilbert Simondon’s theory of individuation. I position this media operative ontology in contrast to Bernhard Siegert’s understanding of operative ontology as a cultural technique. Drawing on Wolfgang Ernst, Henri Atlan, and Michel Serres, I argue that Siegert’s position compromises the extra-cultural operationality of technical media, and of techniques more generally, in its bid to redirect media theory from its Kittlerian trajectory. With his theory of information as reception of environmental singularity by a metastable receiver, Simondon provides a mechanism for theorizing how extra-cultural operationality of technical media informs the production of culture and the distinctions upon which it rests, without compromising the alterity of technics.
Inhaltsverzeichnis
| Section Title | Page | Action | Price |
|---|---|---|---|
| The Ontology of Media Operations, or, Where is the Technics in Cultural Techniques? Von Mark B. N. Hansen\r | 1 |
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