ZEITSCHRIFTENARTIKEL
Muybridge / Technology
Zeitschrift für Medien- und Kulturforschung, Bd. 1 (2010), Iss. 1: S. 51–62
1 Citations (CrossRef)
Zusätzliche Informationen
Bibliografische Daten
Braun, Marta
Cited By
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Introduction: Double Intentionality
Summa, Michela
Klein, Martin
Schmidt, Philipp
Topoi, Bd. 41 (2022), Heft 1 S.93
https://doi.org/10.1007/s11245-021-09786-7 [Citations: 1]
Abstract
Eadweard Muybridge's 1887 photographic atlas Animal Locomotion is a curious mixture of art and science, a polysemic text that has been subject to a number of readings. This paper focuses on Muybridge's technology. It seeks to understand his commitment to making photographs with a battery of cameras rather than a single camera. It suggests reasons for his choice of apparatus and shows how his final work, The Human Figure in Motion (1901), justifies the choices he made.
Inhaltsverzeichnis
| Section Title | Page | Action | Price |
|---|---|---|---|
| Muybridge / Technology | Marta Braun | 51 |
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