ZEITSCHRIFTENARTIKEL
Digitale Fotografien: für einen öffentlichen Gedächtnisraum
Zeitschrift für Medien- und Kulturforschung, Bd. 1 (2010), Iss. 1: S. 63–75
3 Citations (CrossRef)
Zusätzliche Informationen
Bibliografische Daten
Merzeau, Louise
Cited By
-
Introduction: Double Intentionality
Summa, Michela | Klein, Martin | Schmidt, PhilippTopoi, Bd. 41 (2022), Heft 1 S.93
https://doi.org/10.1007/s11245-021-09786-7 [Citations: 3] -
Phenomenological explanation: towards a methodological integration in phenomenological psychopathology
Summa, Michela
Phenomenology and the Cognitive Sciences, Bd. 22 (2023), Heft 3 S.719
https://doi.org/10.1007/s11097-022-09828-4 [Citations: 5] -
Striving, Willing, and Acting in Pfänder and Husserl
Mertens, Karl
Human Studies, Bd. 47 (2024), Heft 1 S.119
https://doi.org/10.1007/s10746-024-09720-x [Citations: 0]
Abstract
The modalities of the production, archiving, distribution (marketing) and societal assimilation of digital photography are producing a new economy of form and perspective. When digital photos become physical surfaces and blogs are organized into active archives, the collective public memory is transformed in the tension between two divergent poles: Privatization and standardization of photomemory in the photo data banks of large agencies on one hand, and, on the other hand rhizomatic interlacing, proliferative network memory, which, during this process, evolves into a virtual, imaginary museum. Digital photos, at this point, participate in the production of the political entity.
Inhaltsverzeichnis
| Section Title | Page | Action | Price |
|---|---|---|---|
| Digitale Fotografien: Für einen öffentlichen Gedächtnisraum | Louise Merzeau | 63 |
Powered by CloudPublish