ZEITSCHRIFTENARTIKEL
Invading/Inviting: From Surveillance to Byzantium
Zeitschrift für Medien- und Kulturforschung, Bd. 11 (2020), Iss. 0: S. 157–173
Zusätzliche Informationen
Bibliografische Daten
Meurer, Ulrich
Abstract
While border surveillance produces geopolitical realities and distinctions between types of human life, Richard Mosse’s video installation INCOMING (2017) uses a military high-grade thermal camera to challenge this onto-political project. Recording refugee camps and crossings via the Mediterranean into Europe, his techno-images’ specific mosaic structure, tactility, and luminous flatness evoke the visual mode of Byzantine icons, thus switching from a paranoid, invasive world/view to an economy of mediation and contact with the Other.
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