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Donkeys, Spirits, and Imperial Ladies

Enumeration in Eliot Weinberger’s Essays

Duszat, Michael

American Studies – A Monograph Series, Bd. 251

2014

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Abstract

Eliot Weinberger’s essays conspicuously rely on an unusual literary device: enumeration. In close readings of selected essays from Weinberger’s work, the author explores the aesthetic effects and functions of this original stylistic strategy, asking how it challenges common ideas about the genre. What happens to the traditional speaking Subject, the ‘essayistic I’, when all the reader gets is a catalogue of bare facts? What does it mean when an essay becomes a repetitive chant, an excessive litany, or a collection of curious words? What kind of knowledge do essays produce when they enumerate? In what sense can enumeration in the essay be thought of as a specific form of cultural critique? As a trigger of constant reflection about the form, the author argues, Weinberger’s use of enumeration becomes a critical enquiry into the poetics of the essay, challenging and at the same time making visible the conventions of the genre.

Inhaltsverzeichnis

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Contents 5
Introduction 7
1 Subjects and Objects 25
1.1 Objective Enumeration 25
The Showcase Effect 27
Hyper-Description 45
The Return of the I 52
The Impersonal Essay 63
1.2 Alien Enumeration 72
Celebrations of Disorder 74
The Alien Essay 81
Horror Lists 88
Solidification and Dissolution 100
2 Accumulation and Reduction 109
2.1 Abundance 109
Astonishing Enumeration 110
The Kaleidoscopic Essay 117
Cultural Enrichment 125
The Universal Essay 130
2.2 Overabundance 140
Unimaginable Wealth, Inconceivable Poverty 142
Consumption and Recycling 147
Enumerations of Mass Destruction 154
Accelerating the Essay 166
2.3 Reduction 170
The Authority of Selection 172
Capsule Enumeration 178
Sameness 187
The Reductive Essay 195
3 The Past 203
3.1 History as a List 203
Memorials and Monuments 204
Factuality and Point of View 216
Transformations of Narrative 227
A Poetic Archeology 240
3.2 Enumeration and Rewriting 246
Radiant Minimal Elements 249
One Form for All 259
Verifiability and Imagination 268
The Montage Essay 274
Conclusion 281
Works Cited 291
Acknowledgements 305