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Patterns of Positioning

On the Poetics of Early Abolition

Junker, Carsten

American Studies – A Monograph Series, Bd. 271

2016

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Abstract

‘Patterns of Positioning’ examines, in the time span prior to the US abolition of the trade of enslaved Africans in 1808, how the early transatlantic discourse of abolition unfolded in the North American sphere. It starts out from the premise that abolition was a Set of formalized practices – a poetics – which gave formal shape to abolitionist discourse. By accessing canonical and non-canonized as well as previously unexamined material, and identifying argumentative patterns, narrative figures, and generic frames, this study provides a newly-informed and complex perspective on early abolition. It considers how the poetics of abolition reconfigured the discursive positioning of the enslaved and the protagonists of the poetics of abolition themselves. ‘Patterns of Positioning’ thus highlights how strategies geared toward overcoming structural inequality potentially reified such inequality and allowed for the personal self-aggrandizement of those who publicly denounced slavery and the transatlantic slave trade. By introducing a vocabulary to American Studies which reads the critique of the apparatus of enslavement as a poetics, ‘Patterns of Positioning’ facilitates an analysis of the fundamental dynamics of Western modern civil society, its practices and discourses.

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Cover C
Title Page iii
Copyright iv
Contents vii
Illustrations xi
Fig. 1. John Wesley, Thoughts Upon Slavery, 1774 54
Fig. 2. Minimal layout of arguments according to Toulmin 60
Fig. 3. Complex layout of arguments according to Toulmin 61
Fig. 4. N. Davies, “Emancipation of N Davies’s Negroes,” 1794 232
Fig. 5. N. Davies, “Emancipation of N Davies’s Negroes,” 1794 232
Fig. 6. Pomp and J. Plummer, “Dying Confession of Pomp,” 1795 274
Fig. 7. “The Story of Inkle and Yarico,” 1762 322
Fig. 8. “Remarks on the Slave Trade,” 1789 350
Fig. 9. Samuel West, Family Anecdotes and Memoirs, 1808 366
Abbreviations xi
Acknowledgments xiii
Introduction—The Poetics of Early Abolition 1
1 Positioning and Feeling for the Enslaved 1
2 Conceptual Framework—Desiderata 8
3 Research Questions—Methodology 32
I Arguing Abolition—Argumentative Patterns 53
1 Discursive Fields of Topoi 75
1.1 Religious Grounds 77
1.2 Moral and Political-Philosophical Grounds 98
1.3 Economic Grounds 118
1.4 Historical Grounds 131
1.5 National Grounds 138
1.6 Grounds of ‘Race 151
1.7 Reflections on Arguing Abolition 165
2 Referents of Topoi 169
2.1 The Free 170
2.2 The Unfree 189
3 Functions of Topoi 207
3.1 Subject Positioning 208
3.2 Object Positioning 230
3.3 Abject Positioning 247
II Narrating Abolition—Narrative Figures 257
1 Criminal Confession and Conversion 268
2 Repentance and Remission 295
3 Avarice and Abuse 311
4 Generosity and Gratitude 333
5 Deprivation and Dispersion 344
III Generating Abolition—Generic Frames 365
1 Genre as Frame for Dialogic Space 389
2 Genre as Frame for Emotionalization 417
3 Genre as Frame for Speaking Positions 436
Conclusion—Patterns of Abolitionist Self-Aggrandizement 449
Works Cited 467
Index 509