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Walking the Möbius Strip

An Inquiry into Knowing in Richard Powers’s Fiction

Heil, Johanna

American Studies – A Monograph Series, Bd. 274

2016

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Abstract

‘Walking the Möbius Strip’ locates Richard Powers’s fiction at the crossroads of postmodern and post-postmodern aesthetics and argues that this paradigm shift shapes the models of knowledge and understanding that underwrite his work. The readings of ‘Plowing the Dark’, ‘Galatea 2.2’, and ‘The Echo Maker’ are inspired by Jacques Lacan’s image of cognition as a Möbius strip on which different forms of propositional and non-propositional knowledge bleed into and depend upon one another. Drawing on feminist epistemology and psychoanalysis, this study highlights Powers’s interest in the non-propositional aspects of cognition, that is, in all that escapes the frameworks of scientific empiricism and can only be known through the mediation of fictional narrative. It reveals a deep dissatisfaction in the novels with the suggestion that knowledge and understanding must be objective and rational, and elucidates Powers’s idea that fiction can be a powerful tool for integrating various kinds of knowledge.

Inhaltsverzeichnis

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Cover C
Title Page iii
Copyright iv
Table of Contents v
AcknowledgmentsOne vii
Abbreviations of Richard Powers’s Works xi
1. Knowledge in/and Richard Powers’s Fiction: An Introduction 1
1.1 Powers’s Contemporary Fiction 9
1.2 Narrative Knowing between Literature and Science 21
2. Dimensions of Knowing: A Theoretical Framework 29
2.1 (Post)Modern 33
2.2 Feminist Epistemology and Implicit Understanding 38
2.3 Feminisms, Psychoanalysis, and Art 46
2.4 Interim: The Epistemic Value of the Work of Art 52
3. Spases of Knowing: Plowing the Dark 63
3.1 Narrative Strands, Lacanian Orders, and the Borromean Knot 65
3.2 The Technological (Un)Conscious and Non-Human Empowerment 98
3.3 Poetry Makes Something Happen 114
3.4 Interim: Knowing Spaces of Representation 128
4. Bodies of Knowing: Galatea 2.2 133
4.1 Writing Life in Fiction 136
4.2 Testing the Knowledge of Fiction 146
4.3 Embodied Knowing: Mastery, Empowerment, and Gendered Machines 172
4.4 Interim: Authoring Embodied Understanding 194
5. Delusions of Knowledge: The Echo Maker 199
5.1 Capgras Syndrome as a Cultural Text of Illness and Memory 202
5.2 Narrating Viable and Unreliable Echoes 211
5.3 The Self That Is Not One: Of Doubles and Doublings 226
5.4 Interim: Deluding Knowledges 248
6. Novels of Knowing: Coda 251
Bibliography 257
Back Cover Back C