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Deliberately Out of Bounds

Women’s Work on Classical Myth in Nineteenth-Century American Fiction

Keck, Michaela

American Studies – A Monograph Series, Bd. 282

2017

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Abstract

Nymphs, maenads, goddesses, and heroines from classical myth populate nineteenth-century American women writers’ fiction in exhilaratingly innovative, often multilayered and complex reconfigurations. Based on Hans Blumenberg’s notion of artists’ ongoing “work on myth” and Aby Warburg’s concept of ‘pathos formulaeʼ, this monograph explores the functions and meanings of these ancient figures in image and text. Examining novels by Catharine Maria Sedgwick, Lydia Maria Child, Elizabeth Stoddard, Elizabeth Stuart Phelps, and Louisa May Alcott, this study sheds light on the intellectual and aesthetic achievements of these American women writers across a range of genres. Furthermore, the book challenges the assumption that women’s “work on myth” did not thrive until the second half of the nineteenth century and proposes an approach to overcome the persisting binary and gendered opposition between myth and logos as the ‘feminine’ body and the ‘male’ mind.

Inhaltsverzeichnis

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Cover Cover
Titel 3
Imprint 4
Table of Contents 5
Acknowledgments 9
1 Introduction: Classical Myth and Nineteenth-Century American Women’s Fiction 11
1.1 Women Writers’ Innovative Work on Myth, 1800-1900 11
1.2 Literature Review 15
2 Myth, "Pathos Formulae", and Women’s Revisionist Mythmaking 25
2.1 Working on Myth with Pathos Formulae 25
2.2 "Pathos Formulae" and the Polarity of the Symbol 41
2.3 Deliberately Out of Bounds: Women’s Work on Classical Myth 50
3 Dionysian Frenzies in Catharine Maria Sedgwick’s A New- England Tale 67
3.1 Maenad-in-Motion 67
3.2 What Manner of Intoxication 75
3.2.1 Inspired to Love, Inspired to Live: Bet and Jane as True Dionysian Followers 77
3.2.2 Apollo’s Mission: Reward vs. Punishment 88
3.2.3 The Dionysian Frenzy of Everyday Life in Sedgwick’s Social Canvas 92
3.3 The Artistic Layering of Sedgwick’s Realist Mythology 109
4 The Trials of Psyche: Ancient Mysteries in Lydia Maria Child’s "Philothea" 113
4.1 Deficient in Repose 113
4.2 Synthomorphosis and Metamorphosis in "Philothea" 119
4.2.1 Philothea and the Love of the Soul 120
4.2.2 Philothea and Sacred Marriage 125
4.2.3 Philothea, the "Panathenaia", and Domestic Ideology 134
4.2.4 From Eve to Psyche: Eudora’s Temptation and "Sophrosyne" 147
4.2.5 Eudora’s/Psyche’s Ascent 157
4.3 The Language of the Ancient Mysteries 163
4.4 Philothea, Eudora, and the Archive of (Mental) Images 166
5 Jason and the Sphinx: Elizabeth Stoddard’s Discrepant New England Mythologies 169
5.1 The Writings of Elizabeth Stoddard 169
5.2 Stoddard’s "Two Men" 172
5.3 Two Men, Two Jasons 173
5.3.1 Jason, Stranger among the Boston Brahmins 176
5.3.2 Parke, A High Culture Hero in Crisis 184
5.4 Stoddard’s Discrepant Mythological Iconographies 192
5.4.1 Jason and the Feast of the Gods 195
5.4.2 Stoddard’s Floral Grotesques 202
5.4.3 Priapus Meets Mercury 209
5.4.4 Medea, the American Sphinx, and Female Self- Possession 216
5.5 Jason/Hermes and the Sphinx 223
6 Isiac Womanhood in Elizabeth Stuart Phelps’s "The Story of Avis" 225
6.1 Writing “Woman” for Women 225
6.2 The Moving Panorama and Avis’s Initiation into the Mysteries of Isis 230
6.3 Phelps’s Isiac Mythmaking 238
6.3.1 Isis "Myrionymos" 249
6.3.2 Isis, "Mater Dolorosa", and Mythical Wailing Woman 259
6.4 Phelps’s Composite Soul Landscapes 262
6.4.1 Avis’s Magnetism and Fuller’s Red Carbuncle 266
6.4.2 Avis as Artist-Intellectual, Goddess, and Divine Soul 270
6.5 No American Eve 283
7 Galatea’s Sufferings in Louisa May Alcott’s "A Modern Mephistopheles" 285
7.1 Of Marble Women and Sleeping Nymphs 285
7.2 A Modern Mephistopheles 291
7.3 Doubling Pygmalion’s Creation 292
7.3.1 Alcott’s Sleeping Nymph 296
7.3.2 The Sorrows and Sufferings of Alcott’s Marble Woman 310
7.4 The Intensification of Alcott’s “Tear-Shedding Heart" 322
8 With Pathos "and" Logos 327
9 Bibliography 333
10 List of Illustrations 362
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