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A Comedy of Storytelling

Theatricality and Narrative in Apuleius’ ‘Golden Ass’

Kirichenko, Alexander

Bibliothek der klassischen Altertumswissenschaften, Neue Folge, 2. Reihe, Bd. 127

2012

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Abstract

Current interpretations of Apuleius’ ‘Golden Ass’ cover the entire spectrum from a religious autobiography to an incongruous collection of titillating stories. The goal of this book is to explain the extraordinary polyphony of Apuleius’ novel as a Product of the 2nd century CE context, in which elite culture (philosophy and sophistic oratory) and popular entertainment not only share the same venues and appeal to the same audiences but also engage in active exchange of Subject matter and histrionic techniques. The book argues that Apuleius’ narrative represents a mosaic of discourses each of which possesses a respectable pedigree in the world of Greco-Roman ‘paideia’. It further traces the ensuing ambiguity to the Second Sophistic rhetoric and concludes that the particular thrill of reading the novel consists in the ironic frustration of any attempt to discover a centripetal force in an irreducibly multi-polar text. (Der Autor ist Preisträger des „Heidelberger Förderpreises für klassisch-philologische Theoriebildung“ 2009)

Inhaltsverzeichnis

Zwischenüberschrift Seite Aktion Preis
Cover C
Titelei I
Contents VII
Preface IX
Introduction 1
Part 1 Theatricality 9
1. The Nonsense of the Mime: The Golden Ass and Popular Theater 11
1.1. The Mime’s centunculus 11
1.2. Mime Plots 18
1.3. Mimic Self-Referentiality: Risus mimicus and the Mimesis of the Mime 36
2. Contrary to the Story 45
2.1. Representational Paradoxes at the Roman Arena 45
2.2. The Primary Narrative and the Inserted Tales 59
Part II Multiple Plotting 69
3. Crime, Punishment, and Redemption: Lucius’ Life as a Narrative ofMiraculous Healing 71
4. Conversion to Philosophy: Lucius’ Life as a PhilosophicalBiography 87
5. De audiendis fabulis: Lucius’ Life as a Philosophical Myth 107
6. The Ass from Cymae: Lucius’ Life as a Lucianic Satire 123
7. The Magic of Rhetoric: Lucius’ Life as an Aristophanic Comedy 143
Part III Narrative 161
8. Desultoriae scientiae stilus: From Drama to Narrative 163
8.1. The Writer as a Stand-up Comedian 163
8.2. Milesian tales 178
8.3. Omnis musae mancipium: Petronius’ Satyricon 185
9. Theatricality and Rhetoric: The Golden Ass and the Second Sophistic 201
9.1. Simili stilo: Apuleius’ Narrator as a Sophistic Entertainer 201
9.2. Varias fabulas conserere: Apuleius’ Narrative as a Specimen of Figured Speech 211
9.3. Acting out paideia 219
Bibliography 227
Index nominum et rerum 235
Index locorum 241