ZEITSCHRIFTENARTIKEL
Form und Mimesis
Elemente frühromantischer Kunsttheorie bei Husserl, Benjamin und Adorno
Zeitschrift für Ästhetik und Allgemeine Kunstwissenschaft, Bd. 60 (2015), Iss. 2: S. 119–140
2 Citations (CrossRef)
Zusätzliche Informationen
Bibliografische Daten
Villinger, Rahel
Cited By
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Einleitung zum Themenheft „Konjunkturen der Integration“
Ezli, Özkan | Langenohl, Andreas | Rauer, ValentinSociologia Internationalis, Bd. 49 (2011), Heft 1 S.1
https://doi.org/10.3790/sint.49.1.1 [Citations: 0] -
Die Herausforderungen des Films
Die „Gastarbeiterfilme“ von Rainer Werner Fassbinder
Schober, Anna
2018
https://doi.org/10.1007/978-3-658-18352-3_10 [Citations: 0]
Abstract
The article discusses a notion of form as reflection in Benjamin and Adorno that can be traced back to early German Romanticism. A reading of Novalis’s Hymns to the Night exemplifies the notion and shows that form-as-reflection amounts to a mimetic relation between Dargestelltem and Darstellendem in a work of art. It is further argued that Husserl’s theory of the image, too, discusses this relation and allows to clarify the account of form in Benjamin and Adorno. The article thus reveals a neglected development of a romantic paradigm of form in 20th century image theory and aesthetics.
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